Cities were growing, industries
being founded; while Nation States defined their boundaries and eradicated
their minorities, religious and esthetical tastes clashed, and wars tore
incessantly to and fro across the continent: redefining ideologies, displacing
people, transforming landscapes, stimulating trade. As an aggregate
effect of all this, society's demands for effective and large-scale integration
were rapidly increasing: money was becoming a major determinant of life,
infrastructures were expanding, and people, as a result, were forced to
move faster, further, more frequently, and to adapt more flexibly to the
time-schedules of a constantly changing world. Foucault
himself explicitly brackets all such concerns. Nevertheless it is clear
that there is a basic congruence between these wider social changes and
the transformations of scientific thought that he describes: an organismic
logic of magic and resemblance is being replaced by a 'geometric' logic
of representation, in which the language of intellectual analysis
is no longer modelled directly on the sensory world, but seems rather
to "hover" above it, like a crystalline geometrical "web" (the 'Table',
in Foucault's terminology). The dense Medieval undergrowth of meaningful
affinities has become a clear-cut classificatory
structure. The world no longer speaks its mysteries to us directly,
but through its reflections in the mirror of mathematized language, which
was soon to become the language of technological change:
"If
natural, a sign is [now] no more than an element selected from the
world of things and constituted as a sign by our knowledge.
It is therefore strictly limited, rigid, inconvenient, and impossible
for the mind to master. When, on the other hand, one establishes
a conventional sign, it is always possible (and indeed necessary)
to choose it in such a way that it will be simple, easy to remember,
applicable to an indefinite number of elements, susceptible of subdivision
within itself and of combination with other signs; the man-made
sign is the sign at the peak of its activity." |
On a stylistic level, the ever-expanding Linnéan Table of
representations is geometrically defined: it deploys our sensory web in
space. The Table consists of classificatory "cells", the characteristics
of which may be completely and consistently defined in numerical terms.
As a result, any empirical phenomenon may now be exhaustively classified
by a list of the "qualities" (color, weight, shape, meaning, logical class,
order of priority), which together define its identity, its "place in
the Table", in the order of things. This magic of numbers,
which is one of the most potent legacies of Mediterranean Antiquity to
classical Europe, retains its dominant position in intellectual discourse
throughout the seventeenth and eighteenth centuries, and remains a powerful
force to this day. We recognize it in one of its most conspicuous transformations
as the magic of money. For scientists three hundred years ago, it
represented a triumph of Ockamian
clarification: "the long concatenations of simple and easy reasoning which
geometricians use in achieving their most difficult demonstrations gave
me occasion to imagine," Descartes tells us, "that all matters which may
enter the human mind were interrelated in the same fashion." |